Monday, September 21, 2009

32 Names Of Maa Durga

          Name                                                                                                     Meaning

1.Durgā                                                                   The Reliever of Difficulties

2.Durgātirśaminī                                           Who puts difficulties at peace

3.Durgāpadvinivārin                                Dispeller of difficult adversities

4.Durgamacchedinī,                                              Who cuts down difficulty

5.Durgasādhinī              The performer of Discipline to expel difficulties

6.Durganāśinī                                                      The Destroyer of Difficulty

7.Durgatoddhārin                                   Who holds the whip of difficulties

8.Durgenihantrī,                                            Who sends difficulties to Ruin

9.Durgamāpahā                                                    Who measures difficulties

10.Durgamajñānadā                                                Who makes difficulties unconscious

11.Durgadaityalokadavānalā                         Who destroys the world of  difficult thoughts

12.Durgamā                                                            The mother of difficulties

13.Durgamālokā                                              The perception of difficulties

14.Durgamātmasvarūpin                  The Intrinsic Nature of the soul of difficulties

15.Durgamārgapradā                   Who searches through the difficulties

16.Durgamavidyā                                           The knowledge of difficulties

17.Durgamāśritā                                      The Extrication from difficulties

18.Durgamajñānasamsthānā                        The continued existence of difficulties

19.Durgamadhyānabhāsinī        Whose meditation remains brilliant when in difficulties

20.Durgamohā                                                          Who deludes difficulties

21.Durgamagā                                                         Who resolves difficulties

22.Durgamārthasvarūpin                        Who is the intrinsic nature of the object of difficulties

23.Durgamāsurasanhantrī               The annihilator of the egotism of difficulties

24.Durgamāyudhadhārin     Bearer of the weapon against difficulties

25.Durgamāńgī                                                     The refinery of difficulties

26.Durgamatā                                                        Who is beyond difficulties

27.Durgamyā                                                               This present difficulty

28.Durgameśvarī                                                 The empress of difficulties

29.Durgabhīmā                                                Who is terrible to difficulties

30.Durgabhāmā                                                          The lady to difficulties

31.Durgabhā                                                   The illuminator of difficulties

32.Durgadārin                                                            Who cuts off difficulties

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Mai ne chand aur Sitaron ki tamanna ki thi

Mai ne chand aur Sitaron ki tamanna ki thi
Mujh ko raton ki siyahi ke siwa kuch na mila

Mai wo nagma hon jise pyaar ki mahfil na mili
Wo musafir hon jise koi bhi manzil na mili
Zaqam paye hain baharon ki tamanna kit hi
Mai ne chand aur Sitaron ki tamanna ki thi

Kisi gaisu kisi anchal ka sahara hi nahi
Raste mai koi dhandla sa sitara hi nahi
Meri nazron ne nazaron ki tamanna ki thi
Mai ne chand aur Sitaron ki tamanna ki thi

Dil me nakam ummidon ke basere paye
Roushi lene ko nikla to andhere paye
Rang aur noor ke dharon ki tamanna ki thi
Mai ne chand aur Sitaron ki tamanna ki thi

Jo baat tujh me hai teri tasweer me nahi
Rangon me tera aks dhala na to dhal saki
Dilbar se pyaar ke shararon ki tamanna ki thi
Mai ne chand aur Sitaron ki tamanna ki thi

Duniya me koi cheez nahi hai teri tarah
Phir ek bar aaja samene mere kisi tarah
Apne sanam se mine bahanon ki tamanna ki thi
Mai ne chand aur Sitaron ki tamanna ki thi.

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Mohababat dukh,dard bharm dhokhe ke siway kuchh nahi

Mohababat dukh, dard bharm dhokhe ke siway kuchh nahi,

Mohababat ek nasha hai,

Pagalpan ke shiway kuchh nahi Mili raste main,

pahle ban jao kabil,

bat kahi Pane ki chhahat main paya bahut kuchh,

par aunt main mila kuchh nahi Wo meri nakhuda hai,

par wo bewafa thi hi nahi Wo mujhse lakh dur hai,

par mujhse juka nahi Banker diwana shahar dar shahar bhatakta raha barso Mila kiya iss chahat main jab wahi hashil nahi Koi subah na aayi,

jo dil par na gujri bojhil Abhi sham bhi na koi,

jo gamjada nahi Kya likha hai kismet main,

jo koi tamanna hoti hai nahi puri Fir bhi main karta,

kismet se koi gila nahi Chaha tha maine unko,

manga unhi ko rab se Kya ghutan,

tadapan ke siwa,

iski aur koi saja nahi Hajaron khat likh dale,

ek khat ke liye Bhatak raha hoon ab tak,

jawab koi mila nahi Dil main chahat hai unki,

abhi bhi hai tamanna Haqiqat ye bhi hai khat likhne ke siwa,

kiya kuchh nahi Apni diwangi ka,

bas ek raham chahta hoon Apni juban se kah de wo, ‘Loveable’ tu mere kabil nahi.

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Sunday, September 20, 2009

Chalo ek bar phir se ajnabi banjaen, hum dono

Chalo ek bar phir se ajnabi banjaen, hum dono
Na mai tum se ummed rakhon dil nawazi ki

Na tum dekho mujhe galat andaz nazron se
Na mere dil ki dhadkan badhe teri baton se

Na zaaher ho teri kashmaksh ka raaz ankhon se
Tumhain bhi koi uljhan rokti hai pesh qadmi se

Mujhe bhi log kahete hai ke ye jalwe paraye hain
Mere humrah bhi ruswaien hain meri marzi ki

Tumhare sath bhi guzri huwi raton ke saye hain
Mere sath bhi guzre huwe zaqmon ke saye hain

Ta’arrfu rog banjaye to uska bholna bahetar
Ta’alluq boj ban jaye to uska tudna bahetar

Wo afsana jise anjam tak lana na mumkin ho
Use ek qobsurat mod dekar chodna bahetar

Chalo ek bar phir se ajnabi banjaen, hum dono…

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तिची भेट...

 

 

आज प्रथमच तिला पहिल
मन वेडावुनच गेल,
एकाच नजरेत तिने
मला पुरत घायाळ केल,

गुलाबी गाल... हरीणिची ती चाल
मादक अशी तिची अदा,
काय सांगू मित्रांनो...
मी झालोय तिच्यावर फ़िदा,

एकटक पाहत बसलो
विसरून सर्व भान,
मिळताच नजरेला नजर
तिने खाली घातली मान,

तिच्याजवळ बोलायची
इच्छा खुप झाली,
कसलाही विचार न करता
सरळ तिचीच वाट धरली,

तीही थोडीशी पुढे आली
कदाचित तिलाही काही बोलायच होत,
काय सांगू मित्रांनो....
नेमक तेव्हाच आईने जागवल होत...

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Navratri - The 9 Divine Nights

Origin of Durga - The Mythology

Devi is the great goddess of the Hindus,the consort of Shiva and she is worshiped in various forms corresponding to her two aspects: benevolence and fierceness. She is Uma, "light"; Gauri, "yellow or brilliant"; Parvati, "the  mountaineer"; and Jagatmata, "the-mother-of-the-world" in her milder guise. The terrible emanations are Durga "the inaccessible"; Kali, "the black"; Chandi, "the fierce"; and Bhairavi, "the terrible."

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Descent of the Goddess

Durga, a beautiful warrior seated upon a tiger, was the first appearance of the great goddess. The circumstance of her miraculous arrival was the tyranny of the monster-demon Mahishasur, who through terrific austerities had acquired invincible strength. The gods were afraid of this water-buffalo bull because neither Vishnu nor Shiva could prevail against him. It seemed that the joint energy of Shakti was only capable of vanquishing Mahisha, and so it was the eighteen-armed Durga who went out to do battle.

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Battlefield

She went to battle on her ferocious mount lion, armed with the weapons given to her by the other Gods. Durga is one of the angry and aggressive aspects of the goddess Shakti, whose role in Hindu mythology was to fight and conquer demons and also personify the Sakti or female aspect of any male deity. In the battle, she fought and killed the evil Mahishasura and restored heaven to the Gods. Since then the goddess is invoked for protection from the powers of evil. Durga Puja is observed in her honor, to celebrate her victory over evil.

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Revered Mother

She has been worshiped from about 400 AD, but probably earlier, to the present. Her literary references are chiefly the Ramayana and Mahabharata, epic and Puranic texts, and she is mentioned by name in Vedic literature. In general, Durga is regarded in northern India as the gentle bride epitomizing family unity while in southern India she is revered more in her warrior aspect.

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Dussehra

The festival of Dassehra, also known as Vijayadashmi, is one of the fascinating festivals of India and is celebrated with joy and enthusiasm. According to the great Hindu scripture, the Ramayana, Lord Rama performed chandi-puja (holy prayer). This was carried out in order to invoke the blessings of Durga Maa for the killing of Ravana, the ten- eaded demon king of Sri Lanka who had abducted Seeta, wife of Lord Rama.

Durga Maa divulged the secret to Rama on how he could slay the great Ravana. Hence upon vanquishing the demon Ravana, Lord Rama with Sita and younger brother Laxmana, returned victorious to his kingdom of Ayodhya on the day which is called 'Diwali'. Revelers across northern India re-enact the legend at sundown in a performance called the Ramlila, featuring actors dressed as Rama shooting flaming arrows at effigies stuffed with firecrackers.

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Dassera day is considered a most auspicious day. It is a time-honored belief that if any new venture is started on this day, it is bound to be successful. Hence, all the undertakings be it laying-in of foundation of a new building, opening of a new commercial establishment or even initiating a child into the world of learning- are started on this day. Also on this day implements of agriculture, manufacturer's machines, the intellectuals pens, the household articles, the children's school books are placed before the idol of Durga and worshiped.

The Bengali Belief

Sati, the consort of Shiva was the daughter of Daksha Prajaapati a descendant of Bhrama. Sati had married Shiva against the wishes of her father. Daksha was sponsoring a sacrifice and attendees came from various parts of the universe. He invited all of the gods and goddesses except his son in law Shiva. Against Shiva's wishes, Sati attended this sacrifice and was insulted by her father. Unable to bear this insult, Sati immolated herself.

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Enraged at the insult and the injury, Shiva destroyed Daksha's sacrifice, cut off Daksha's head and when pleaded by other gods, replaced it with that of a goat and restored him to life. Still berserk with grief, he picked up the remains of Sati's body, and danced the dance of destruction throughout the Universe. The other gods intervened to stop this dance, and the disk of Vishnu cut through the corpse of Sati, whose various parts of the body fell at several spots all through the Indian subcontinent and formed the sites of what are known as Shakti Peethas today.

Shiva was finally pacified when the last piece fell off from his shoulder. Narayana revived sati as Uma for a new life. Ever since peace was restored, Uma, with her children, Ganesh and Kartick, and with her two 'sakhis' - Jaya and Bijaya, comes to visit her parent's home each year during the season of 'Sharat' or autumn when Durga Puja is celebrated.

Mahalaya

Mahalaya ushers in the aura of Durga Puja. The countdown for the Durga Puja begins much earlier, from the day of 'Janmastami'. It is only from the day of Mahalaya that the preparations for the Durga Puja reaches the final stage. The midnight chants of various hymns of 'Mahishasura Mardini' reminds one of the beginning of Durga Puja.

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Mahalaya is an auspicious occasion observed seven days before the Durga Puja, and heralds the advent of Durga, the goddess of supreme power. It'skind of invocation or invitation to the mother goddess to descend on earth - "Jago Tumi Jago". This is done through the chanting of mantras and singing devotional songs.

The day of Mahalaya is also the day of remembrance. On this day, people offer 'tarpan' in memory of their deceased forefathers. The banks of River Ganga becomes a sea of humanity. Priests are seen busy performing 'Tarpan' for devotees in groups. The rituals start from early down and end during the midday. Devotees and worshipers buy clothes and sweets to offer to their forefathers. 'Tarpan' is to be performed in empty stomach. After offering 'tarpan', people eat at the same place.

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